Слуховой аппарат Naida V 90 - слуховой аппарат премиум-класса в линейке заушных слуховых аппаратов Naida Venture.
Исторически вся линейка сверхмощных слуховых аппаратов Naida была создана для того, чтобы люди с глубокой степенью потери слуха, в первую очередь дети, могли получить максимальную разборчивость речи. На рынке есть предложения, которые превосходят слуховые аппараты Naida по мощности (например, некоторые модели Siemens или Oticon). Но когда дело касается разборчивости речи и общего комфорта звучания при большой мощности усиления звука, то Naida – это оптимальный выбор.
Данный аппарат идеально подходит для людей, которые получают образование в старшей школе или ВУЗе, благодаря дополнительной программе «Речь на 360 градусов», а также благодаря автоматической программе «Комфорт в эхо» мы получаем наилучшее звучание в помещениях с высокими потолками, например в больших аудиториях.
Как и у других аппаратов платформы Venture в Bolero V 30 используется AutoSense OS, благодаря которому лучше распознается звуковое окружение и происходит адаптация к большему количеству ситуаций. Это необходимо чтобы можно было скомбинировать параметры из нескольких программ для обеспечения комфорта и постоянства восприятия звуков без заметных переходов между акустическими ситуациями.
Основные характеристики Naida V 90:
- 20 каналов;
- 7 автоматические программы AutoSense OS:
- 5-7 ручных программ (программа «Акустический телефон» и 4 пользовательские программы по желанию + еще 2 программы при использовании EasyPhone )
Фирменные функции от компании Phonak:
- EchoBlock (устраняет искажения звука, вызванные реверберацией, например, в храмах, стадионах)
- SoundRelax (Смягчает резкие звуки, не снижая разборчивость речи)
- WindBlock (Подавление шума ветра)
- DuoPhone (Работает только при бинауральном протезировании! При разговоре по телефону сигнал идет в оба уха, реализуется на ручной программе «акустический телефон)
- FlexControl (благодаря возможностям AutoSense OS, дает возможность пользователю тоньше настроить звучание слухового аппарата при помощи регулятора громкости)
- FlexVolume (более сильное улучшение четкости звуковосприятия при меньшем увеличении громкости, чем у слуховых аппаратов без этой функции)
- Real Ear Sound (имитирует эффект ушной раковины, что позволяет лучше установить источник звука)
- RogerReady (упрощает подключение приемника Roger к аппарату)
- Roger плюс направленность (направленные микрофоны теперь работают и с системой Roger)
- UltraZoom (направленный микрофон, что повышает разборчивость)
- SoundRecover2 (улучшенный вариант технологии SoundRecover, суть которой состоит в том, чтобы позволить человеку слышать недоступный ему диапазон частот, теми частотами, которые у него сохранены )
- BroadbandBooster (широкополосные сигналы средней и большой громкости усиливаются немного сильнее, чем у аппаратов предыдущей платформы)
- TinnitusBalance (маскирует «шум в ушах»)
- WhistleBlock (убирает «обратную связь»)
- NoiseBlock (как слышится, так и пишется – убирает резко дискомфортный окружающий шум)
- QuickSync (реализуется при бинауральном протезировании, при переключении уровня громкости/программы на одном слуховом аппарате, она автоматически переключается на другом)
- auto Acclimatization (автоматическое плавное увеличение усиления звука при повышении опыта ношения слухового аппарата)
- AOV (работает совместно с вентилем во вкладыше/корпусе слухового аппарата, убирает окклюзию, так называемы «эффект бочки»)
Дополнительно:
- тип батареи – 675/13
- совместим с передатчиками Roger Pen, Roger Easy Pen, Roger Clip-on Mic, Roger Table Mic, Roger Touchscreen Mic.
- совместим с ресиверами Roger 18 (V-RIC, V-SP), Roger 19 (V-UP), Roger X / AS 18 (VRIC, V-SP), Roger X / AS 19 (V-UP), Roger X / Phonak ComPilot II, Roger MyLink.
- беспроводные аксессуары: Phonak PilotOne II, Phonak ComPilot II, Phonak ComPilot Air II, Phonak TVLink II, Phonak RemoteMic (только вместе с Phonak ComPilot II или ComPilot Air II), EasyCall II, RemoteControl App (только со смартфоном).
- водозащищенность, имеют уровень защиты IP67
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Archaeologists have uncovered a tiny house in Pompeii that is filled with elaborate – and sometimes erotic – frescoes, further revealing the ornate way in which Romans decorated their homes.
Situated in the central district of the ancient city, the house is smaller than normal and unusually lacks the open central courtyard – known as an atrium – that is typical of Roman architecture, the Archaeological Park of Pompeii, which oversees the site, said in a statement Thursday.
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This change could have occurred due to shifting trends in Roman - and particularly Pompeian - society, during the first century AD, archaeologists said.
Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.
This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.
One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.
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From a warzone in Iraq to a Michelin-starred kitchen and a hit Netflix show, chef Sung Anh’s path to the top of Asia’s fine dining scene has been anything but ordinary.
“Just like I did in the US Army, where I volunteered to go to the war, wanting to do something different — I decided to come here to Korea to try something different,” says the Korean-American chef and judge on hit reality cooking show “Culinary Class Wars,” which has just been green-lit for a second season.
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Sung, 42, is the head chef and owner of South Korea’s only three-Michelin-starred restaurant, Mosu Seoul. In recent weeks, he has gained a new legion of fans as the meticulous and straight-talking judge on the new Netflix series. It’s this passion and unwavering drive to forge his own path that’s helped reshape fine dining in his birth home.
Born in Seoul, South Korea’s capital, Sung and his family emigrated to San Diego, California when he was 13.
“We were just a family from Korea, seeking the American Dream,” he says. “As an immigrant family, we didn’t really know English.”
As a teen growing up on the US West Coast, his mind couldn’t have been further from cooking.
“I went to school, got into college, but decided to join the US Army because that’s the only way I thought I could travel,” says the chef.
Over four years of service, he trained in bases across the country, before being deployed to his country of birth, South Korea and — following 9/11 — to the Middle East.
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From a warzone in Iraq to a Michelin-starred kitchen and a hit Netflix show, chef Sung Anh’s path to the top of Asia’s fine dining scene has been anything but ordinary.
“Just like I did in the US Army, where I volunteered to go to the war, wanting to do something different — I decided to come here to Korea to try something different,” says the Korean-American chef and judge on hit reality cooking show “Culinary Class Wars,” which has just been green-lit for a second season.
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Sung, 42, is the head chef and owner of South Korea’s only three-Michelin-starred restaurant, Mosu Seoul. In recent weeks, he has gained a new legion of fans as the meticulous and straight-talking judge on the new Netflix series. It’s this passion and unwavering drive to forge his own path that’s helped reshape fine dining in his birth home.
Born in Seoul, South Korea’s capital, Sung and his family emigrated to San Diego, California when he was 13.
“We were just a family from Korea, seeking the American Dream,” he says. “As an immigrant family, we didn’t really know English.”
As a teen growing up on the US West Coast, his mind couldn’t have been further from cooking.
“I went to school, got into college, but decided to join the US Army because that’s the only way I thought I could travel,” says the chef.
Over four years of service, he trained in bases across the country, before being deployed to his country of birth, South Korea and — following 9/11 — to the Middle East.
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Researchers have connected the identity of skeletal remains found in a well at Norway’s Sverresborg castle to a passage in a centuries-old Norse text.
The 800-year-old Sverris saga, which follows the story of the real-life King Sverre Sigurdsson, includes the tossing of the body of a dead man — later known as “Well-man” — down a well during a military raid in central Norway in 1197.
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It’s likely, according to the text, that raiders lobbed the body into the well to poison the main water source for locals, but little else is said about the man or who he was in the saga.
Researchers initially uncovered the bones in the castle’s well in 1938, but they were only able to carry out a visual analysis at the time. Now, scientists have an array of analytical techniques at their disposal, including genetic sequencing and radiocarbon dating.
A new study on the remains, published Friday in the Cell Press journal iScience, reveals unprecedented insights into Well-man’s appearance based on in-depth research on samples of his teeth.
“This is the first time that a person described in these historical texts has actually been found,” said study coauthor Michael D. Martin, a professor in the department of natural history at the Norwegian University of Science and Technology’s University Museum in Trondheim, in a statement.
“There are a lot of these medieval and ancient remains all around Europe, and they’re increasingly being studied using genomic methods.”
The findings not only shed fresh light on what Well-man looked like but also who he was, with a surprising twist about how he ended up in a Norse saga.
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Nima Rinji Sherpa’s ears are still tinged black from wind chill, an occupational hazard of climbing to heights where humans struggle to breathe, and where the weather can turn deadly in an instant.
This month, Nima became the youngest person to summit all 14 of the world’s highest peaks, but the 18-year-old Nepalese mountaineer is already getting ready for his next big feat.
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Speaking to CNN via video call from the Nepali capital Kathmandu last week, Nima said he’s taking a couple weeks’ rest before preparing to climb the world’s eighth-highest mountain, Manaslu, with Italian mountaineer Simone Moro – in winter, alpine-style.
“That means we’re climbing an 8,000-meter mountain in winter… There’s no fixed ropes for us, there’s no (supplemental) oxygen for us, there is no support for us. So, it’s like pure human endurance,” Nima said. “It has never been done in the history of mountaineering.”
After that, “I’ll take some rest,” Nima laughed.
On October 9, Nima reached the top of the 8,027-meter (26,335-foot) Shishapangma along with his partner Pasang Nurbu Sherpa. For Nima, it was the final of the “eight-thousanders,” the 14 peaks recognized by the International Climbing and Mountaineering Federation as standing more than 8,000 meters above sea level.
Describing the moment of summiting the final peak as “pure joy,” Nima said his motivation comes from his family, many of whom are renowned mountaineers.
His father, Tashi Lakpa Sherpa, has climbed Everest nine times, and at age 19 became the youngest person to summit without bottled oxygen. His uncle Mingma Sherpa became the first South Asian climber to summit the 14 peaks in 2011.
“My uncles and my father, they are way more successful than I would ever be because they came from a very small village. To even dream about being this successful, for them it was really hard,” Nima said. “I have the privilege that they didn’t have.”